Ballet Luminary Matthew Ball on Grueling Roles and Social Media Attention: 'I Don't Feel Precious About My Body'

In the quiet atmosphere of a lounge near London's Royal Ballet, Matthew Ball requests a mint tea. His carriage is effortlessly upright, his limbs muscular beneath a simple tee. On stage, ballet dancers can seem as mighty gods, yet often offstage they are petite. Not so Ball, whose height is part of his demand for princely roles and partnering. With fine traits and intense eyes, there's a touch of a brooding actor about him.

A Seamless Rise to the Top

Now 31, Ball is enjoying the peak of a career that has advanced seamlessly. Growing up in Liverpool, he encountered little ridicule for his childhood interest in ballet. Entering the esteemed training institution at 11, he moved straight into the company and was advanced annually, attaining the top rank of lead dancer in 2018. He has loved taking on meaty characters, especially the psychological angst found in a famed choreographer's ballets.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring role is as himself, in an "In Conversation" event designed to offer intimate perspectives into a performer's craft. He will guide the audience through a role, demonstrating his mental workflow while performance. Even in lighter works, the challenge is profound. "A classic ballet is one of the most demanding from a skill perspective," he states.

The Mental Game and Post-Performance Feelings

What about after a show, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the emotion out of it, and get lost in the role, quite often I do feel self-conscious later. After an intense role I'm always thinking: Wow, what must people think?"

In person, Ball is reflective, mild-mannered, and quick to laugh at himself. Yet a dance maker previously remarked on a "sense of suffering in him." Is there? "I'm quite energetic in general, but I do have a dark side," he confesses. "I somewhat enjoy pessimism sometimes. I've always felt that negativity has been an instigator for good change."

Early Motivations and Artistic Inspirations

His tenacity stemmed from youthful setbacks. Not excelling in contests at school made him "driven!" It was motivation to prove he could succeed. Reading the book *Mao's Last Dancer* was a "watershed" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming endeavor is making his own dance works. In his view, "organic movement has value." "Challenging the rules is interesting, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He wants his work to be filled with meaning, drawing ideas from books, music, and art.

Intimate Performance and Private Partnership

He additionally favors presenting dance in more intimate venues. "It was just really thrilling," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has created pieces with his partner, fellow lead dancer Mayara Magri. The level of faith between them is evident. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically paired on stage at their main theater, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s favorite cheerleader."

Regarding Instagram and Bodily Perception

On Instagram, followers can see clips from his dance films and photos that showcase a athletic form. Does he care that the response can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very precious about it," he states. He compares it to seeing Michelangelo’s David—something that can be seen on multiple levels.

Ball characterizes his early self as "eager for success." Has it met his hopes? "I am conscious of how life is a separate reality to the aspirations you had as a young person," he reflects. He probably has about ten years of performing left. "I suppose in the time to come, I want to be a bit more gentle with myself."

Ryan Russo
Ryan Russo

A tech strategist and writer with over a decade of experience in digital transformation, focusing on emerging technologies and business growth.